For her upcoming exhibition, "Apology," Lily, a New York conceptual artist, is designing a sound and sculpture installation inspired by the testimony of anonymous phone callers who, after responding to a public advert inviting them to spill their guts, leave messages on her answering machine. When one caller confesses to a murder, Lily begins to suspect that the mystery man may be intending a little "performance" of his own: her death.

For her upcoming exhibition, "Apology," Lily, a New York conceptual artist, is designing a sound and sculpture installation inspired by the testimony of anonymous phone callers who, after responding to a public advert inviting them to spill their guts, leave messages on her answering machine. When one caller confesses to a murder, Lily begins to suspect that the mystery man may be intending a little "performance" of his own: her death.

Friendship, Dialogues (silences) is a conversation between ideas (present and missing) in contemporary materialist film; here, the impersonal documentary conceives itself to be an artifact of its past anarchic potential; this is the trajectory of attention, recursion, and transformation. Wherever there is a limitation imposed, there is always an implied area beyond the limit; this is the nature of the pact between parallels: if ever they should meet, it would be where endlessness concludes; the path is labyrinthine and ruinous. On image, text, sound (otherwise and beyond): they are empty except for what they perceive to grasp in the other; they model consent for attention as well as inattention; they are a concrete reality of each other in absentia; ‘I hear what I read, and I see what I read!’ “There is no friendship where distance is not kept and respected.” (Simone Weil)

Friendship, Dialogues (silences) is a conversation between ideas (present and missing) in contemporary materialist film; here, the impersonal documentary conceives itself to be an artifact of its past anarchic potential; this is the trajectory of attention, recursion, and transformation. Wherever there is a limitation imposed, there is always an implied area beyond the limit; this is the nature of the pact between parallels: if ever they should meet, it would be where endlessness concludes; the path is labyrinthine and ruinous. On image, text, sound (otherwise and beyond): they are empty except for what they perceive to grasp in the other; they model consent for attention as well as inattention; they are a concrete reality of each other in absentia; ‘I hear what I read, and I see what I read!’ “There is no friendship where distance is not kept and respected.” (Simone Weil)

A narcissistic filmmaker delivers a deeply fake apology for a libelous deepfake.

In London, a city of millions, teenager Ash is lost. He wants to be the big man, but reality doesn’t quite deliver. A chance encounter leads him to make a dangerous decision, starting a chain reaction that plays out across these five connected short films.

In London, a city of millions, teenager Ash is lost. He wants to be the big man, but reality doesn’t quite deliver. A chance encounter leads him to make a dangerous decision, starting a chain reaction that plays out across these five connected short films.

An anthology of five short films exploring the impact of breast cancer on people's lives.

Five sex-themed stories: Story 1: At night, while waiting at the central bus station of Retiro, a man meets an adolescent girl, Reneta at the bus station. They go to a cafe and begin a conversation about sex that will prove to be deeply disturbing. Story 2: Walter, an adolescent boy will discover a new interest in his sister's boyfriend, Platero while they are fooling around on their bunk bed. Story 3: Virginia and Pablo maintained a loving relationship for some years; she is still in love but he is not the man she met. Story 4: Gustavo, a 40-year-old Argentinean married to an American woman living in the USA longs for his sex life in Buenos Aires stimulated by photos of Argentinean teenagers on the Internet. Story 5: A well-built married office employee has sexual fantasies about the women working in his office.

Described as a psychological thriller two-hander in the vein of All About Eve, and is said to center on a widow who becomes obsessed with an actress in a one-woman show.